IMPOSSIBLE II (2000) and epics such as RED CLIFF I & II (2008, 2009), and THE CROSSING I & II (2014, 2015). In the years following this era, Woo has worked alternately in both Hollywood and China, on further blockbuster classics such as HARD TARGET (1993), FACE/OFF (1997), MISSION: Chow Yun-fat, Tony Leung Chiu-Wai and others became international stars under his watchful eye, and by crafting an action cinema – and a genre – of his own, Woo continues to astonish audiences and filmmakers alike, inspiring legions across the world. Following martial arts films such as HAND OF DEATH (1976), LAST HURRAH FOR CHIVALRY (1979) and beloved comedies such as MONEY CRAZY (1977) and PLAIN JANE TO THE RESCUE (1982), Woo made his name with the groundbreaking heroic bloodshed of films such as A BETTER At the heart of everything, Woo’s films are deeply moral visions,īuilt around themes of friendship and trust with moving sincerity.
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His brilliantly original editing patterns are instantly recognizable, as are his slow-motion sequences, employed as much for pathos as to provide poignantly counter-adrenalized flourishes. Nobody breaks down a sequence like Woo does: his staging is complex, his camera choreographies always elaborate, his mastery of physical performance and stunts unrivaled. With a singular directorial approach, Woo reinvented the conventions of action cinema, its visual language and dramatic codes. Here’s the press release with a first look at images from several prominent genre films…įor its 26 th edition, Fantasia is proud to honour the groundbreaking Hong Kong filmmaker John Woo with a Career Achievement Award.
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While the festival’s full lineup will be announced in late June, Bloody Disgusting has the first wave of titles and a special Career Achievement Award for a hugely influential Hong Kong artist whose extraordinary work was foundational to the festival’s formation. Tubstrip on Amazon.The Fantasia International Film Festival is heading back to theaters this year, celebrating its 26th edition with a dynamic in-person program of screenings, workshops, and launch events running from July 14 through August 3, 2022. Jordan Schildcrout is Associate Professor of Theatre & Performance at SUNY Purchase.Ĭhelsea Station Editions is distributed by Ingram. He went on to have a major career in gay male pornography, directing numerous award-winning films between 19, such as More of a Man, Flesh & Blood, Dream Team, and Buckleroos.
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Jerry Douglas, a graduate of the Yale School of Drama, was pursuing a career in the legitimate theatre while also writing and directing “all male” films, including the classic The Back Row.
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This edition also features rarely seen publicity photos, posters, and advertisements from the original production of the play. Despite its unprecedented success and acclaim, the play was not officially published until 2019.Īlong with the debut publication of the script of the play, this edition includes a foreword by Jordan Schildcrout titled “Tubstrip and The Erotic Theatre of Gay Liberation”, which examines the significance of the play as one of a wave of erotic gay plays (most of them forgotten or lost) that emerged between 19.
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The play, often dismissed by mainstream critics but hailed as “funny, sexy, and important” by the gay press, ran for 140 performances off-Broadway, then toured to eight cities over nine months, and returned to Broadway starring the legendary adult film star Casey Donovan in the lead role. Jerry Douglas’s Tubstrip, a risqué comedy set in a gay bathhouse, was a popular sensation when produced onstage in 1973-1974, in the era of gay liberation and the sexual revolution.